On Wednesday, March 24th and Thursday, March 25th, five practical workshops of this year’s INSIGHT OUT will also be open to film & TV professionals, who want to join only the practical part of the symposium. The workshops are a great opportunity to test high-end, low budget and stereo 3D digital production pipelines for cinema and TV. State-of-the-art equipment is set up in HFF “Konrad Wolf” and experienced instructors help you to understand the importance of colour management, metadata etc.
Using the audio workflow for motion pictures as a guiding principle one workshop will explain every aspect of sound design during the creative process of making n film soundtrack come to life: Script / Shooting / Audio Transfer / Cutting Room / Dialogue Editing / Foley Editing / Sound design / Mixing / Deliveries. All this will be illustrated through hands-on examples of Christian Conrad's last project 'Jerry Cotton' which will be in German cinemas at the time of the workshop.
What: Six workshops running in parallel. All of them are offered twice.
When: 24 and 25 March 2010, 9:00 – 16:30h.
Where: HFF “Konrad Wolf”, Marlene-Dietrich-Allee 11, D-14482 Potsdam
How much: 120 €, 80 € for film school students. Fee includes soft drinks & lunch.
Workshop | Acquisition | Ingest & Editing | Finishing | Trainers |
High-End Digital Cinema | Sony F35 recording on an OB-1 | Avid Media Composer | Nucoda Filmmaster | Miguel Ferros (digilab, UK) |
Independent Digital Cinema and Documentary | Canon EOS 7D | Final Cut Pro Studio 2 | Final Cut Pro Color | tbc |
HDTV Broadcasting | Panasonic HPX 3700 | Avid Media Composer | Avid DS Nitris | Jan Fröhlich (Cine Postproduction Geyer, D) |
Stereoscopic 3D Production | Cameras: 2xSI-2K Stereo Rig: P+S Technik Inition Stereo Brain | FrameCycler DI - Digital Lab for RAW | Stereo 3D SpeedGrade DI - Stereo 3D Color Grading | Phil Streather (Principal Large Format, UK), supported by Patrick Palmer (Iridas), Robert Laatz (HFF), Frederik Zilly (HHI) |
Stereo 3D and Stop Motion Animation | Motion Control Gear Digital Stills Camera | Mistika | Mistika | Joe Lewis (General Lift, USA) and Brian Van't Hul (USA) |
Film Sound for Digital Movie Productions | Harrison MPC4-D: Dynamically fully automated, 192 inputs Reverb: Lexicon 960L, TC 6000, 3 times Lexicon PCM91, Lexicon PCM81 Eventide H3000 DAWs: 2 times Pro Tools HD, Steinberg Nuendo 6.1 JBL cinema monitoring system HD Beamer | March 25: Christian Conrad | ||
Please note that the equipment may be subject to change.
many thanks also to all the companies providing the equipment and to our partner Camelot Broadcast Services Berlin, who are mightily supporting us with these workshops!
