Intro HD Case Study: Sky Blue by NRK
V.S. Eriksen (Producer, NO)

Participants' Forum

Digital Media Environment: Managing Content & Archiving - Frank Donner (USA)

Colour-Grading: Visit at ARRI / Schwarzfilm

 10:00 Preparing Film Schools for Digital Cinema
U. Weinberg, Ch. Maier (D)

Registration

Coffee Break

Coffee Break

Coffee Break

Coffee Break

Coffee Break 

Welcome & Presentation of Participants

Camera and Post-Production in Sky Blue - Helge Semb (DoP), Egil Ljöstad (Colourist)

Camera: RAW-format work flow
Dr. Siegfried Fößel (D)

Camera & Post for the Red One
Stefan Grandinetti, Axel Mertes, Carl Schmitt (D)

Virtual Studio & Motion Control

Joe Lewis (USA)

Case Studies:
Nik Powell, NFTS (UK); Artur Lugmayr (FIN), Matej Dimlic (UK)

Lunch

Lunch

Lunch

Lunch

Lunch

Lunch

General Overview/ Formats in Digital Film & TV
Claudia Meglin (D/IS)

ARRI HD Cameras and the Power of Digital Post-Production

Time to explore HD Expo

Digital Pre-Visuali- sation & Motion Capture
Daniel May (UK), Sven Bergmann (D)

Sound Design & Mixing
Prof. Martin Steyer, Christian Konrad (D)

cont: Glenn Gebhard (USA), Ole John Poulsen (DK), Li Haiyan (CN)
Open Discussion

Coffee Break

Coffee Break

Coffee Break

Coffee Break

Coffee Break

Farewell

Digital Pre-Production

Manfred Büttner (D)

3D Stereoscopic Screening & Presentations 3D Film-Making

16:30 Presentation of Footage from
HD Expo - M. Saulich, St. Grunst, U. Sparrer

HFF HD Projects

An Endo-skeletal Look at the VFX Work for Trans- formers, Gerald Gutschmidt (USA)

End of Lectures

End of Lectures

End of Lectures

End of Lectures

End of Lectures

Welcome Dinner

19:00 / Visit: Post-Production Companies in Berlin: cine-plus & Elektrofilm

19:00 / Networking with German Media Industry

18:30 / Screening of Blindsight on 2K Projector

20:00 / Farewell Dinner